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I always suggest engaging on a personal level: personalize your activism and advocacy, find the organization closest to you that you can assist. How do you feel about what’s happening in our country?ĭorfman: There have been dozens of bills in the last six months directly to inhibit the success, safety and livelihoods of trans people, specifically trans youth. Peters: It’s an incredibly fraught moment for LGBTQ youth in the U.S. People have to work, to live their lives, even as they transition.ĭorfman: It’s completely unrealistic and unsustainable, especially when trans people are some of the most disenfranchised and disadvantaged people. Peters: The expectation that trans people must go away to medically transition strikes me as a burden. Or it is, but not as an idea of going somewhere. Peters: I like that idea: transition as an amplification of yourself rather than a qualitative change.ĭorfman: It is not transition. I’m named after my mom’s brother who passed a month after I was born, and I feel very connected to that name, to an uncle who held me as he was dying. Peters: Do you think that older way of coming out-where you go away and come back and announce a new name and identity-is still viable?ĭorfman: For me, personally, it’s not viable. There’s the version I couldn’t really afford to do, which is to disappear for two years and come back with a new name, new face and new body. So, recently I looked to examples of others who have come out as trans. With this medical transition, there has been discourse about my body, and it began to feel overwhelming. However, I’ve learned as a public-facing person that my refusal to clarify can strip me of the freedom to control my own narrative. Why not let the world see what that looks like? So I kept, on Instagram, a diaristic time capsule instead-one that shows a body living in a more fluid space. But I recognize that transitioning is beautiful. And yet, for the past year, Tommy has said nothing, acknowledged no change, just continued on-until now.ĭorfman: I’ve been living in this other version of coming out where I don’t feel safe enough to talk about it, so I just do it. People began to speculate what that shift might mean in the comments and on blogs some of the speculation has been lurid, some tentatively supportive.
And there’s something that both paparazzi and Tommy’s followers began to notice over the past year or so: a change in Tommy’s style and appearance. Tommy embodies a very modern type of celebrity, one that’s increasingly influential-and increasingly scrutinized. But this work is only one part of Tommy’s public presence: with a quick glance at Instagram, it becomes clear-even if you don’t recognize all the brand names (which I don’t)-that Tommy dresses fashionably, with fashionable people, in fashionable places.
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Harris’ Slave Play, Tommy was tapped to star in Harris’ next project, Daddy, alongside Ronald Peet, Hari Nef and the legendary Alan Cumming.Īnd now, Tommy is set to direct an adaptation of Mason Deaver’s I Wish You All the Best, is starring this fall in the Channel 4 limited series Fracture and has a role in Lena Dunham’s upcoming film Sharp Stick. When everyone I knew was debating Jeremy O. I kept hearing about Tommy from artists I respected. Before then, I knew Tommy only by reputation, as the actor who rose to fame in 2017 in the role of Ryan Shaver, the conniving, scene-stealing poet on the Netflix series 13 Reasons Why.